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Entreq Silver Minimus Infinity

Entreq Tellus 2 Infinity - Martins Hi-Fi

Entreq Triton Analogue Interconnects

Entreq Triton Infinity Ground Cables

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<p><strong>Ertha RCA , XLR, DIN, USB& RJ45, Hook: Standard length 1.65m ( longer lengths are available )</strong><br><br>These cables are designed for direct connection to your electronics/computer/music streamer via currently unused RCA , XLR, or USB inputs or outputs. The RJ45 connector can also be employed on your Digital streaming device but is most effective on your source router and/or NAS drive.<br>The cable is terminated with an Entreq spade at one end (this connects to your carefully chosen level of partnering Entreq ground box) and then to either an Entreq designed RCA , XLR , USB or RJ45 ground connection, at the other end. This then connects to your selected piece of equipment.<br>A carefully selected Entreq ground box is required to connect to your chosen Entreq Ertha cable.<br>These Ertha cables are available in the following ranges and are in ascending order of performance:  Copper , Discover, Konstantin , Challenger , Silver , Apollo , Atlantis, and Olympus<br><br><strong>Eartha Schuko, US & UK</strong><br>These cables are designed for connecting to wall socket protective ground and either to a Standalone Tellus/Silver Tellus or on the dedicated input on Olympus Tellus. We don't recommend you mix in other ground cables on the ground box when using Tellus/ Silver Tellus<br>The cables are terminated with a plug that only connect to the Earth.<br>These cables are available as Konstantin, Challenger, Apollo, Atlantis, and Olympus<br><br> <br><strong>Ertha Spade to Spade, hook/spade, or Banana/hook:</strong> Standard length 1.65m ( longer lengths are available ) These are used to connect to equipment that has additional or specialist ground points, even chassis locations. The most common application is for negative speaker out grounding.<br></p>
<p>Entreq PowerUs and CleanUs products all have there own dedicated ground connections and as such require an Ertha Spade to Hook to draw excess noise away to your chosen Entreq ground box.<br></p>
<p>A carefully selected Entreq ground box is required to connect to your chosen Entreq Ertha cable.<br></p>
<p>These cables are available in the following ranges and are in ascending order of performance: Copper , Discover, Konstantin , Challenger , Silver , Apollo , Atlantis and Olympus<br> <br><br><strong>Ertha 3.5 to Spade: Standard length 1.65m</strong> ( longer lengths are available )<br>There is only one application for this particular product and that is to exclusively connect, via a 3.5mm ground connection, to Entreq's dedicated "EEDS noise reduction circuit".</p>
<p>This unique technology is built into almost all of Entreqs Signal cables.<br>A carefully selected Entreq ground box is required to connect to your chosen Entreq Ertha cable.<br></p>
<p>These cables are available in the following ranges and are in ascending order of performance:  Copper , Discover, Konstantin , Challenger , Silver , Apollo , Atlantis and Olympus.</p>
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Entreq Triton Infinity Power Cable

Entreq Triton Speaker Cables

Entreq VIBBEATER

Epson EH-LS11000W

Epson EH-LS12000B

Epson EH-LS800W 3LCD Laser 4K UHD HDR

Epson EH-TW7100

Epson EH-TW9400

EVO3 SYNCRO UNI

Focal Bathys Headphones

Focal Celestee Headphones

Focal Clear Mg

Focal Stellia Headphones

Focal Utopia Headphones MK2

Franc Audio Ceramic Disc Classic

Franc Audio Ceramic Disc Fat Foot

Franc Audio Ceramic Disc Slim Foot

Fyne Audio F1-10s

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<h2 class="h2 font-weight-300 text-uppercase"><span>ISOFLARE POINT SOURCE DRIVER</span></h2>
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<p>FYNE AUDIO’S 10” (250mm) IsoFlare<sup>TM</sup><span> </span>driver is a point source system whereby the bass/ midrange driver shares a common centre with the high frequency unit. Providing outstanding stereo imaging even off axis, energy is radiated isotropically with constant directivity, following the flare of the driver cone. Sound is produced emanating from a single point, giving truly spherical wavefront generation. This preserves the harmonic structure of complex<br>sounds, recreating the true acoustic soundfield. Giving total integration of energy at the crossover point, the loudspeaker is less dependent on room location.</p>
<p>The high frequency unit features a highly rigid 3” titanium HF diaphragm for smooth and unstressed performance, with a massive Neodymium magnet incorporating a vented rear chamber to place low frequency resonance well below the crossover region. This enables a very low 750Hz crossover point giving a realistic rendition of vocals.</p>
<p>A high power edgewound aluminium voice coil on a Kapton former utilises a copper shorting ring for low distortion. The annular waveguide has a computer optimised expansion rate and geometry to provide flat frequency response and avoid internal reflections.</p>
<p>On the low frequency section a multi-fibre paper cone gives natural sounding midrange and clean transient behaviour. The twin roll fabric surround effectively terminates cone energy, without time-smearing. The high power LF motor system uses a ferrite magnet, with rectangular copper voice coil on aluminium former, to aid power dissipation. The complete unit is built into a rigid cast aluminium chassis to eliminate unwanted vibrations and is coupled to the internal bracing through compliant damping mastic.</p>
<h2 class="h2 font-weight-300 text-uppercase"><span></span></h2>
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Fyne Audio F1-12s

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<h2>ISOFLARE POINT SOURCE DRIVER</h2>
<div>The 10” (250mm) IsoFlareTM driver is a point source system whereby the bass/ midrange driver shares a common centre with the high-frequency unit. Providing outstanding stereo imaging even off axis, energy is radiated isotropically with constant directivity, following the flare of the driver cone. Sound is produced emanating from a single point, giving truly spherical wavefront generation. This preserves the harmonic structure of complex sounds, recreating the true acoustic soundfield. Giving total integration of energy at the crossover point, the loudspeaker is less dependent on room location.</div>
<div> </div>
<div>The high frequency unit features a highly rigid 3” titanium HF diaphragm for smooth and unstressed performance, with a massive Neodymium magnet incorporating a vented rear chamber to place low frequency resonance well below the crossover region. This enables a very low 750Hz crossover point giving a realistic rendition of vocals.</div>
<div> </div>
<div>A high power edgewound aluminium voice coil on a Kapton former utilises a copper shorting ring for low distortion. The annular waveguide has a computer optimised expansion rate and geometry to provide flat frequency response and avoid internal reflections.</div>
<div> </div>
<div>On the low frequency section a multi-fibre paper cone gives natural sounding midrange and clean transient behaviour. The twin roll fabric surround effectively terminates cone energy, without time-smearing. The high power LF motor system uses a ferrite magnet, with rectangular copper voice coil on aluminium former, to aid power dissipation. The complete unit is built into a rigid cast aluminium chassis to eliminate unwanted vibrations and is coupled to the internal bracing through compliant damping mastic.</div>
<h2>BASSTRAX TRACTRIX DIFFUSER SYSTEM</h2>
<div>The F1-10 employs a downwards firing port system using twin cavity reflex loading. This loading technique broadens the tuning frequency to reduce cone excursion and acts as a muffler, blocking standing waves produced by the main internal port.</div>
<div> </div>
<div>Below the vent in the base of the loudspeaker, the BassTrax ™ Tractrix profile diffuser (patent applied for) is used to convert the plain wave energy to an expanding spherical 360-degree wavefront, integrating energy uniformly into the room. This makes the loudspeaker less critical of</div>
<div>room positioning.</div>
<div> </div>
<div>This Tractrix profile has been previously applied to horn loudspeakers by Voight in the 1920’s, but the application to a diffuser of this type is thought to be novel. The BassTrax ™ Tractrix profile is known to maintain a 90 degree angle at each intersection of the expanding wavefront, thus avoiding reflections.</div>
<h2>CROSSOVER</h2>
<div>The crossover uses high quality precision components, including low loss LF laminated core inductors, non- inductive thick film resistors and Claritycap highest grade HF polypropylene capacitors. The design is computer optimised, fine tuned by critical auditioning. High quality gold plated WBT Nextgen™ bi- wire terminals and Neotech ™ PC-OCC internal wiring provide highly transparent signal transfer.</div>
<div> </div>
<div>Cryogenic treatment of the complete crossover relaxes stresses in materials and solder joints also helps maximise signal transparency. The crossover is hard wired on fibre board panels to minimise vibration, while a grounding terminal prevents radio frequency interference effects from masking fine detail. Controls are provided for user adjustment of high frequency energy and presence.</div>
<div></div>

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Fyne Audio F1-5

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Fyne Audio F1-8

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Fyne Audio F1-8s

Fyne Audio F3-10 Subwoofer

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Fyne Audio F3-12 Subwoofer

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Fyne Audio F300 LCR

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Fyne Audio F300C

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Fyne Audio F302i

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Fyne Audio F500C

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Fyne Audio F500SP

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Fyne Audio F501

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<table>
<tbody>
<tr>
<td>System Type</td>
<td>2 ½ way, downwards firing port, with BassTrax<sup>TM</sup>Tractrix diffuser. Twin cavity coupled reflex</td>
</tr>
<tr>
<td>Recommended amplifier power (Watt RMS)</td>
<td>35- 150</td>
</tr>
<tr>
<td>Continuous power handling (Watt RMS)</td>
<td>75</td>
</tr>
<tr>
<td>Sensitivity (2.83 Volt @ 1m)</td>
<td>90dB</td>
</tr>
<tr>
<td>Nominal impedance</td>
<td>8 Ohm</td>
</tr>
<tr>
<td>Frequency response (-6dB typical in room)</td>
<td>36Hz- 34kHz</td>
</tr>
<tr>
<td>Drive unit complement</td>
<td>1 x 150mm IsoFlare<sup>TM</sup>, multi-fibre bass / mid with 25mm titanium dome compression tweeter 1 x 150mm multi-fibre bass</td>
</tr>
<tr>
<td>Crossover frequency</td>
<td>250Hz & 1.7kHz</td>
</tr>
<tr>
<td>Crossover type</td>
<td>2nd order low pass, 1st order high pass</td>
</tr>
<tr>
<td>Dimensions - HxWxD</td>
<td>984 x 200 x 320mm (38.8 x 7.9 x 12.6”)</td>
</tr>
<tr>
<td>Weight - Each</td>
<td>18.9kg (41.7lb)</td>
</tr>
<tr>
<td>Finishes</td>
<td>Dark Oak / Black Oak</td>
</tr>
</tbody>
</table>

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Fyne Audio F501SP

Fyne Audio F502

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<p> </p>
<table>
<tbody>
<tr>
<td>System Type</td>
<td>2 ½ way, downwards firing port, with BassTrax<sup>TM</sup><span> </span>Tractrix diffuser. Twin cavity coupled reflex</td>
</tr>
<tr>
<td>Recommended amplifier power (Watt RMS)</td>
<td>40- 180</td>
</tr>
<tr>
<td>Continuous power handling (Watt RMS)</td>
<td>90</td>
</tr>
<tr>
<td>Sensitivity (2.83 Volt @ 1m)</td>
<td>91dB</td>
</tr>
<tr>
<td>Nominal impedance</td>
<td>8 Ohm</td>
</tr>
<tr>
<td>Frequency response (-6dB typical in room)</td>
<td>30Hz- 34kHz</td>
</tr>
<tr>
<td>Drive unit complement</td>
<td>1 x 200mm IsoFlare<sup>TM</sup>, multi-fibre bass/ mid, with 25mm titanium, dome compression tweeter. 1 x 200mm multi-fibre bass</td>
</tr>
<tr>
<td>Crossover frequency</td>
<td>250Hz & 1.7kHz</td>
</tr>
<tr>
<td>Crossover type</td>
<td>2nd order low pass, 1st order high pass</td>
</tr>
<tr>
<td>Dimensions - HxWxD</td>
<td>1114 x 250 x 380mm (43.9 x 9.8 x 15.0”)</td>
</tr>
<tr>
<td>Weight - Each</td>
<td>25.2kg (55.6lb)</td>
</tr>
<tr>
<td>Finishes</td>
<td>Dark Oak / Black Oak</td>
</tr>
</tbody>
</table>

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Fyne Audio F502SP

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<p> </p>
<table>
<tbody>
<tr>
<td>System Type</td>
<td>2 ½ way, downwards firing port, with BassTraxTM Tractrix diffuser*, twin cavity loading system</td>
</tr>
<tr>
<td>Recommended amplifier power (Watt RMS)</td>
<td>30- 200</td>
</tr>
<tr>
<td>Continuous power handling (Watt RMS)</td>
<td>100</td>
</tr>
<tr>
<td>Sensitivity (2.83 Volt @ 1m)</td>
<td>92dB</td>
</tr>
<tr>
<td>Nominal impedance</td>
<td>8 Ohm</td>
</tr>
<tr>
<td>Frequency response (-6dB typical in room)</td>
<td>30Hz - 34kHz</td>
</tr>
<tr>
<td>Drive unit complement</td>
<td>1 x 200mm IsoFlare point source driver, multi-fibre bass/ midrange cone, FyneFluteTM surround with 25mm magnesium dome compression tweeter, neodymium magnet system. 1 x 200mm multi-fibre bass cone, FyneFluteTM surround.</td>
</tr>
<tr>
<td>Crossover frequency</td>
<td>250Hz & 1.7kHz</td>
</tr>
<tr>
<td>Crossover type</td>
<td>Bi-wired passive low loss, 2nd order low pass, 1st order high pass</td>
</tr>
<tr>
<td>Dimensions - HxWxD</td>
<td>1110 x 338 x 380mm (43.7 x 13.3 x 15.0</td>
</tr>
<tr>
<td>Weight - Each</td>
<td>30.4kg (67.0lb)</td>
</tr>
<tr>
<td>Finishes</td>
<td>Piano Gloss Walnut / Piano Gloss Black / Piano Gloss White</td>
</tr>
</tbody>
</table>
<p> </p>

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Fyne Audio F700

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Fyne Audio F701

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Fyne Audio F702

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<table>
<tbody>
<tr>
<td>System Type</td>
<td>2 ½ way, downwards firing port, with BassTrax™ Tractrix diffuser*, twin cavity loading system</td>
</tr>
<tr>
<td>Recommended amplifier power (Watt RMS)</td>
<td>30 - 200</td>
</tr>
<tr>
<td>Continuous power handling (Watt RMS)</td>
<td>100</td>
</tr>
<tr>
<td>Sensitivity (2.83 Volt @ 1m)</td>
<td>92dB</td>
</tr>
<tr>
<td>Nominal impedance</td>
<td>8 Ohm</td>
</tr>
<tr>
<td>Frequency response (-6dB typical in room)</td>
<td>30Hz - 34kHz</td>
</tr>
<tr>
<td>Drive unit complement</td>
<td>1 x 200mm IsoFlare™ point source driver, multi-fibre bass / midrange cone, FyneFlute™ surround with 25mm magnesium dome compression tweeter, neodymium magnet system . 1 x 200mm multi-fibre bass / midrange cone, FyneFlute™ surround.</td>
</tr>
<tr>
<td>Crossover frequency</td>
<td>250Hz & 1.7kHz</td>
</tr>
<tr>
<td>Crossover type</td>
<td>Bi-wired passive low loss, 2nd order low pass, 1st order high pass, cryogenically treated</td>
</tr>
<tr>
<td>Dimensions - HxWxD</td>
<td>1111 x 384 x 440mm (43.7 x 15.1 x 17.3”)</td>
</tr>
<tr>
<td>Weight - Each</td>
<td>TBC</td>
</tr>
<tr>
<td>Finishes</td>
<td>Piano Gloss Walnut / Piano Gloss Black / Piano Gloss White</td>
</tr>
</tbody>
</table>
</div>

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Fyne Audio F703

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Fyne Audio F703SP

Fyne Audio F704

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Fyne Audio SuperTrax

Geoff's Test Product

Gold Note B-5.1

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Gold Note B-7 Ceramic

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Gold Note Donatello

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<p>DONATELLO GOLD</p>
<p>Type MC Low Output Phono Cartridge<br><br>Channel balance <1db<br><br> Output level 0.5mV<br><br>Cantilever Aluminium<br><br>Frequency response 10 - 40000Hz<br><br> Diamond Micro Elliptical<br><br>Impedance 40Ω<br><br>Coil wire Copper<br><br> Suggested load 470Ω<br><br> Magnet Samarium-Cobalt<br><br>Tracking weight 1.8 to 2.1g<br><br>Mounting hole diamond distance 9mm<br><br>Compliance 12×10-6cm/dyne<br><br>Total weight 7g<br><br> Channel separation >24dB<br><br>Body Duraluminium alloy</p>
<p> </p>
<p> </p>
<p>DONATELLO RED<br> <br><br> Type MC High Output Phono Cartridge<br><br>Channel balance <1db<br><br> Output level 1.8mV<br><br>Cantilever Aluminium<br><br>Frequency response 10 - 35000Hz<br><br>Diamond Micro Elliptical<br><br>Impedance 140Ω<br><br>Coil wire Copper<br><br> Suggested load 47KΩ<br><br> Magnet Samarium-Cobalt<br><br>Tracking weight 1.8 to 2.1g<br><br>Hole-diamond distance 9mm<br><br>Compliance 12×10-6cm/dyne<br><br>Total weight 7g<br><br> Channel separation >24dB<br><br>Body Duraluminium alloy</p>
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Gold Note DS-10

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<p><br>SPECIFICATIONS<br><br>D/A Converter<br><br>AKM AK4493 PCM (32bit/768kHz, DSD512)<br><br><br>Frequency response<br><br>20Hz-20kHz +/-0.1dB<br><br><br>THD (Total Harmonic Distortion)<br><br>0.001% max<br><br><br>Signal to Noise ratio<br><br> -125dB<br><br><br>Dynamic range<br><br>120dB<br><br><br>Output impedance<br><br>50Ω<br><br><br>Preamp Stage Volume Control<br><br>enabled/disabled by remote<br><br><br>DIGITAL INPUTS<br><br>1x RCA coaxial PCM asynchronous up to 24bit/192kHz<br><br>2x TOS-optical PCM asynchronous up to 24bit/192kHz<br><br>1x AES/EBU XLR PCM asynchronous up to 24bit/192kHz<br><br>1x USB-A port DSD64 and PCM up to 24bit/192kHz, formatted in FAT32/NTFS (32Gb max for pen drives)<br><br>1x USB-B asynchronous up to DSD512 and PCM up to 32bit/768kHz<br><br>1x Network (LAN/WLAN) DSD64 and PCM up to 24bit/192kHz<br><br><br>ANALOGUE INPUT (DS-10 PLUS ONLY)<br><br>3.5mm mini jack<br><br><br>AUDIO OUTPUTS<br><br>DAC: 1 RCA @ 2Vrms, 1 XLR @ 2Vrms<br><br>PREAMP: 1 RCA, 1 XLR; 1 headphone output with 6,3mm jack<br><br><br>POWER<br><br>Power supply: 100-240V, 50/60Hz<br><br>Multiple Transformer proprietary power supply<br><br>Power consumption: 30W<br><br>Fuse 2A F<br><br><br>NETWORK CONNECTIVITY<br><br>LAN/WLAN (WiFi): 802.11b/g via RJ45 10/100Mbps socket<br><br>Bluetooth: High Definition 5.0 (44/16)<br><br><br>HIGH QUALITY STREAMING<br><br>Tidal, Qobuz, MQA, vTuner, Deezer, Spotify<br><br>Airplay, Roon Ready<br><br><br>SUPPORTED AUDIO FORMATS (NETWORK)<br><br>PCM 24bit/192kHz:<br><br>AIFF (.aif, .aiff, .aifc)<br><br>ALAC<br><br>WAV (.wav) packed/unpacked<br><br>FLAC<br><br>MP3<br><br>DSD64: DSF, DFF<br><br>Apple Lossless<br><br>OGG<br><br>Monkey’s<br><br>IMPORTANT: UpnP server must support DSD streaming in order to stream DSD files.<br><br><br>SUPPORTED MEDIA SERVERS<br><br>All UPnP / DLNA / Roon<br><br><br>DIMENSIONS AND WEIGHT<br><br>200 W x 80 H x 260 D mm<br><br>Weight: Kg. 4 net - Kg. 5 boxed<br><br><br>FINISHES<br><br>Brushed Aluminium available in Black or Gold<br><br><br>REMOTE CONTROL<br><br>Multifunctional remote control<br><br><br>APP<br><br>GN Control<br><br><br>CHAMELEON DAC<br><br><br>The 3 parameters of the Chameleon Function affect the sound independently, so you can change one at a time to fine tune the DAC. The effects can also be combined for a total of approximately 200 configurations, giving you virtually unlimited flexibility.<br><br><br>The parameter that affects the sound the most is the PCM EQ, which controls the DAC chipset. Here’s a summary of the settings:<br><br><br>1 (natural tone) = super slow roll off<br><br>2 (acoustic tone) = short delay with slow roll off, with a group delay of 5.3/Fs<br><br>3 (traditional tone) = slow roll off<br><br>4 (harmonic sound) = short delay with low dispersion<br><br>5 (acoustic sound) = short delay with sharp roll off, with a group delay of 6.25/Fs<br><br>6 (traditional sound) = sharp roll off<br><br><br>We suggest to start the fine tuning with the PCM EQ, then move to adjusting the DEE and lastly the DAC PWR.<br><br>These two parameters are extremely delicate so the way they affect the sound is finer and less evident but can make quite a difference in some systems.</p>
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EDIT ADDITIONAL INFORMATION IN PRODUCTS

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Entreq Silver Minimus Infinity

Entreq Tellus 2 Infinity

Entreq Triton Analogue Interconnects

Entreq Triton Digital Cables

Entreq Triton Infinity Ground Cables

Entreq Triton Infinity Power Cable

Entreq Triton Speaker Cables

Entreq VIBBEATER

Epson EH-LS11000W

Epson EH-LS12000B

Epson EH-LS800W 3LCD Laser 4K UHD HDR

Epson EH-TW7100

Epson EH-TW9400

EVO3 SYNCRO UNI

Focal Bathys Headphones

Focal Celestee Headphones

Focal Clear Mg

Focal Stellia Headphones

Focal Utopia Headphones MK2

Franc Audio Ceramic Disc Classic

Franc Audio Ceramic Disc Fat Foot

Franc Audio Ceramic Disc Slim Foot

Fyne Audio F1-10s

Fyne Audio F1-12s

Fyne Audio F1-5

Fyne Audio F1-8

Fyne Audio F1-8s

Fyne Audio F3-10 Subwoofer

Fyne Audio F3-12 Subwoofer

Fyne Audio F300 LCR

Fyne Audio F300C

Fyne Audio F302i

Fyne Audio F500C

Fyne Audio F500SP

Fyne Audio F501

Fyne Audio F501SP

Fyne Audio F502

Fyne Audio F502SP

Fyne Audio F700

Fyne Audio F701

Fyne Audio F702

Fyne Audio F703

Fyne Audio F703SP

Fyne Audio F704

Fyne Audio SuperTrax

Geoff's Test Product

Gold Note B-5.1

Gold Note B-7 Ceramic

Gold Note Donatello

Gold Note DS-10